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Pop Art has always fascinated me because it finds beauty, humor, and meaning in the visual world we encounter every day.

Rather than looking exclusively to mythology, classical history, or traditional notions of “high art,” Pop Art turned its attention toward the familiar—advertising, newspapers, magazines, celebrities, consumer objects, and the imagery that surrounds us. In doing so, it transformed the ordinary into something worthy of attention.

That idea continues to inspire my work.

I earned my BFA from the University of Arizona, where I developed a deep appreciation for Pop Art’s ability to communicate immediately. I am drawn to imagery that people recognize and connect with instinctively. There is something powerful about artwork that does not require an explanation before it can be enjoyed.

My work explores the intersection of popular culture, photography, color, repetition, and contemporary visual communication. I am particularly inspired by newspapers, magazines, billboards, and photography—images that capture a moment in time and, in many ways, become part of our collective visual memory.

Photography is often the starting point for my paintings and illustrations. I translate those photographic moments into bold compositions through color, contrast, repetition, and structure. Repetition allows an image to evolve beyond a single moment, creating rhythm and movement while emphasizing the relationships between color, light, shadow, and form.

My paintings often incorporate acrylic, oil, pastel, and collage, while my illustrations tend toward a more industrial aesthetic, utilizing ink and charcoal, sometimes combined with acrylic to create additional depth and texture.

Ultimately, I am interested in the space between fine art and everyday life.

I believe art can be intellectually meaningful without losing its sense of fun. It can be sophisticated while remaining accessible. And sometimes, something as familiar as a face, a photograph, a celebrity, a flower, or an everyday object can become extraordinary simply by asking us to look at it differently.

That is the space I continue to explore through my work.

MURAL COMMISSIONS

Whether you are looking to transform a home, business, community space, or public environment, a mural is an opportunity to turn an ordinary wall into something memorable.

My murals draw from the same Pop Art philosophy that informs my studio work: bold imagery, vibrant color, recognizable subjects, and artwork designed to engage people immediately.

Every mural is different, and pricing is determined by several factors:

  • Square footage and interior/exterior location

  • Paint and material costs

  • Complexity and intricacy of the design

  • Pre-design, scaling, layout, and revision work

  • Surface preparation and installation requirements

  • Protective finish/sealant

  • Travel and working conditions

  • Specialized equipment or lift requirements

MURAL PRICING 

Most murals fall within the range of $10–$40 per square foot, with a $1,000 minimum project fee.

This range allows me to accommodate projects of different sizes, styles, and budgets while accounting for the unique requirements of each location.

To estimate square footage, simply measure the length and height of the wall and multiply those measurements together.

Length × Height = Square Footage

The square footage is then multiplied by the appropriate price per square foot based on the complexity and requirements of the project.

Mural pricing generally includes the materials necessary to complete the artwork. Additional costs may apply when specialized equipment, such as lifts or other access equipment, is required.

THE DESIGN PROCESS

Before beginning a mural, we will discuss your vision, budget, location, imagery, and timeline. If you have photographs, inspiration images, sketches, or other examples of what you envision, I encourage you to share them. They are extremely helpful in understanding the direction you would like to take.

Design fees are included within the final mural budget. I work with you through the design and revision process to develop a concept that feels right for the space.

For clients seeking design schematics without the full mural commission, my design rate is $30 per hour, including unlimited revisions.

A 50% non-refundable deposit is required to begin a mural commission, with the remaining balance due according to the project schedule.

I am happy to work with a wide range of budgets and project sizes. The best way to determine what is possible is simply to start a conversation.

THANK YOU​​

Thank you for taking the time to explore my work and view a sampling of my portfolio.

Whether you are interested in commissioning a mural, portrait, painting, illustration, or simply looking for artistic or aesthetic direction on a project, I would love to hear from you.

I look forward to creating something with you!

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Education 

Northern Arizona University (BA)

University of Arizona (BFA)

 © 2023 by Sean Cannon

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